
Train to Busan (2016): It’s a Korean film.
BEST HIDDEN GEMS ON NETFLIX 2017 MOVIE
Every new movie added to Netflix so far in June This thought-provoking thriller invites you to journey alongside the bewildered duo as they navigate a terrifying maze of suburban sameness, their quest for escape unraveling into a haunting exploration of the human condition. As the surrealism intensifies, each turn in the narrative amplifies the sense of dread and uncovers layers of chilling intrigue.


BEST HIDDEN GEMS ON NETFLIX 2017 SERIES
Starring Jesse Eisenberg and Imogen Poots as a young couple searching for the perfect home, the pair find themselves trapped in a labyrinthine neighborhood of identical houses. We know people are burning through their Netflix queues at a cracking pace right now, bingeing the buzziest movies and series as they drop and finally getting to. Not necessarily for everyone, but a treat for film buffs.In Vivarium, director Lorcan Finnegan creates a meticulously crafted nightmare, drawing you into an unsettling world of suburban conformity. Mank is a film that's sympathetic to the plight of the writer, given added pathos in the fact that its screenplay was written by Jack Fincher – David's own late father. It's gorgeously shot and impeccably performed – not just by Oldman, but by an ensemble including Amanda Seyfried as actor Marion Davies, Charles Dance as Kane-alike publishing magnate William Randolph Hearst, and Tom Burke as a sparingly-deployed Welles. Fincher luxuriates in depicting the old studio system of Golden Age Hollywood, but he doesn't don rose-tinted glasses for the era itself – zoning in on the cracks, inequalities and concerns of the '30s and '40s movie industry (and beyond), while tapping into resonances that still feel surprisingly relevant today (Nazis, the future of cinema). As such, I've assembled 23 remarkable movies seemingly buried in the. Mank is part origin story of, part companion-piece to Orson Welles' classic Citizen Kane – starring Gary Oldman as Kane's alcoholic screenwriter Herman J. But regardless of Netflix's troubles as a company, that doesn’t mean the streamer is out of good titles. Six years after Gone Girl, David Fincher returned to movies with a film delving into the history of Hollywood itself.

That it's warm and funny too, with believably messy but empathetic characters, make it a must-see. That Saint Frances plays out both of these storylines concurrently without conflating the two (spoiler: Frances doesn't suddenly regret having an abortion after she bonds with Bridget) feels quietly revelatory – and the film has a similarly straight-up approach to its depictions of post-natal depression, motherhood in same-sex relationships, breastfeeding, and periods. Meanwhile, she finds out that she's pregnant by her sort-of-boyfriend Jace (Max Lipchitz) and decides to have an abortion, facing the physical and emotional aftermath of the procedure. She plays Bridget, a New Yorker who becomes nanny to mischievous six-year-old Frances (Ramona Edith Williams) – even though she doesn't really like kids. Kelly O'Sullivan confirms herself as a witty and honest new filmmaking voice as the writer and star of Saint Frances – a film that pushes the 30-something-woman-wonders-what-to-do-with-her-life American indie drama into refreshing territory rarely explored on screen.
